Fauvism is the movement that produced some of the brightest and boldest paintings in the early 20th century, just before Cubism and Abstraction.
Maurice de Vlaminck, La Machine Restaurant at Bougival, 1905, Musée d’Orsay, Paris
Fauvism got its name from art critic Louis Vauxcelles’s review of the 1905 Salon d’Automne art show (published in the “Supplément à Gil Blas,” October 17, 1905), in which he compared the painters in room VII to fauves, which means “wild beasts” in French.
The founder of the Fauvist movement is Henri Matisse, who developed it in the south of France in the summer of 1905, working with fellow painter André Derain.
Henri Matisse, Open Window, Collioure, 1905, National Gallery of Art, Washington, D.C.
André Derain, Mountains at Collioure, 1905, National Gallery of Art, Washington, D.C.
Those works and others exhibited at the Salon d’Automne art show in 1905 defined the characteristics of Fauvist paintings:
– simplified outlines and composition based on color planes
– bright, unmixed colors (except in some of Derain’s London views)
– heavy brushwork, or even paint applied from the tube
– colors that do not match the colors of reality
– real subjects, mainly landscapes, but also portraits
Henri Matisse, Woman with a Hat, 1905, San Francisco Museum of Art
Henri Matisse, Portrait of Madame Matisse / The Green Stripe, 1905, Statens Museum, Copenhagen
André Derain, Henri Matisse, 1905, Tate Gallery, London
André Derain, Charing Cross Bridge, 1906, National Gallery of Art, Washington, D.C.
Maurice de Vlamnick, A Street at Marly-le-Roi, 1906, Centre Pompidou, Paris
Maurice de Vlamnick, Châtou Bridge, 1906, Centre Pompidou, Paris
Fauvism was a very short movement, lasting only from 1905 to about 1910, but the works produced in those five years influenced Western art for the rest of the 20th century, redefining composition and taking a key step towards freedom of color.