Masters of Realism - 5.0 out of 5 based on 2 votes

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“Realism” is a tricky word, because it has different meanings. In painting, however, Realism mainly refers to a specific movement that started in France in the 1840s.

Jean-François Millet, The Gleaners — detail, 1857, Orsay Museum, Paris

By the 1840s, French painting had seen many trends that were based on idealized, amazing or imaginary people and places. Neoclassicism used Ancient Greek and Roman themes, for instance, and Romanticism produced paintings of extraordinary places and situations that most people would never experience.

In other words, painting represented everything, except the everyday life of most people, who worked in fields, workshops and factories.

And that’s what Realism changed.

The founder of the movement is Gustave Courbet, who developed the idea that painting should be about what you can see around you, shown as it really is, with all its imperfections, even if it’s not graceful.

This was new, and it greatly shocked critics at the time, because art had never really shown humble people in their daily lives.

Gustave Courbet, The Stone Breakers, 1849, destroyed in 1945 bombing of Dresden

Gustave Courbet, Young Ladies of the Village (Courbet’s sisters near their native village, Ornans, giving charity to a poor cowherd), 1852, Metropolitan Museum of Art, New York

Gustave Courbet, The Wheat Sifters, 1854, Fine Arts Museum, Nantes

Another major realist painter is Jean-François Millet, who is known for his peasant scenes, which had an important influence on Van Gogh.

Jean-François Millet, The Gleaners, 1857, Orsay Museum, Paris

Jean-François Millet, Man with a Hoe, c.1860, Getty Center, Los Angeles

Jean-François Millet, Spoon Feeding, c.1870, Fine Arts Museum, Lille

Gustave Caillebotte also made major contributions in the realist style. Here is one of his most famous:

Gustave Caillebotte, The Floor Planers, 1875, Orsay Museum, Paris

In the end, masters of Realism like Courbet and Millet changed the history of art by giving humble people a place in painting. As a result, the description of everyday life became a major theme in France, Britain, the US and most of the West in the late 19th and early 20th century.